Carolyn Clay reviews “Dressing Room Stories,” a collection of Alvin Estein’s reminiscences from a life in the theater.
Freud and C.S. Lewis debate the existence of God as England is on the brink of World War II in Mark St. Germain’s “Freud’s Last Session.”
Zeitgeist Stage’s latest production, “A Great Wilderness,” makes a not so great impression, says critic Carolyn Clay.
The musical tries earnestly to entertain, and overall succeeds, despite a slight doggedness to the proceedings, a recycled impression and an arguably offensive imitation.
Paula Plum directs the revamped production, which centers on a two-faced troupe of slanderers who pass on wittily-phrased gossip and pride themselves on inventing it.
Israeli Stage’s production of Anat Gov’s ‘Oh God’ runs at the Arsenal Center for the Arts through April 30.
Gina Gionfriddo’s “Can You Forgive Her?” finds satirical humor in romance, grief and consumer debt, says Carolyn Clay.
The ARTery theater critic Carolyn Clay offers her picks of the best shows on area stages this spring.
Melinda Lopez’s play, premiering at the Boston Playwrights’ Theatre, explores the uncertainties of truth and expediency in the pursuit of what’s right.
Central Square Theater presents Underground Railway Theater’s production of “The Convert” by Danai Gurira, who wrote “Eclipsed” and stars in “The Walking Dead.”